|
I can distinctly remember gripping the armrest with feverish desire as I had my first Bartoli experience: I caught half of her on a televised concert gala (at Carnegie Hall, I think), singing the last bit of "Sovra il sen...." Naturally, I would have joined in, seeing as I am an avid armchair baritone (with a coloratura fetish); however, I simply stared in awe at this angelic voice and expressive personality spilling its warmth over into my waiting ears. I am conviced that time stopped right then and there. Thus begins the Bartoli spell. I was amazed at her ability to come across with real emotion while singing, something the opera world has had to do without since the likes of Callas. I borrowed "Arie antiche" from a friend and was tearfully reluctant to return it; from then came her "Mozart Portraits" and "Rossini Heroines," and penultimately "La Cenerentola." Her more recent "Cecilia Bartoli: A Portrait" also contains some favorites, including an earth- shaking "Bel Raggio Lusinghier." As per the title, I am a nineteen-year old male college freshman and opera fanatic; I would love to hear from others who share the same addiction. |
| Inline: | Outline: |
This forum is closed.
|
|